The Laugher Part II
I have become indispensable. I laugh on records, I laugh on tape, and television directors treat me with respect. I laugh mournfully, moderately, hysterically; I laugh like a streetcar conductor or like a helper in the grocery business; laughter in the morning, laughter in the evening, nocturnal laughter, and the laughter of twilight. In short: Wherever and however laughter is required -I do it.
It need hardly be pointed out that a profession of this kind is tiring, especially as I have also -this is my specialty - mastered the art of infectious laughter. This has also made me indispensable to third - and fourth - rate comedians, who are scared - and with good reason - that their audiences will miss their punch lines so I spend most evenings in nightclubs as a kind of discreet claque. My job is to begin to laugh infectiously during the weaker parts of the program. It has to be carefully timed. My hearty, boisterous laughter must not come too soon, but neither must it come too late. It must come just at the right spot: at the pre-arranged moment, I burst out laughing, the whole audience roars with me, and the joke is saved.
But as for me, I drag myself exhausted to the checkroom. I put on my overcoat, happy that I can go off duty at last. At home, I usually find telegrams waiting for me: "Urgently require your laughter. Recording Tuesday," and a few hours later I am sitting in an overheated express train bemoaning my fate. I need scarcely say that when I am off I duty or on vacation I have little inclination to laugh. The cowhand is glad when he can forget the cow, the bricklayer when he can forget the mortar, and carpenters usually have doors at home that don't work or drawers which are hard to open. Confectioners like sour pickles, butchers like marzipan, and the baker prefers sausage to breads Bullfighters raise pigeons for a hobby, boxers turn pale when their children have nosebleeds: I find all this quite natural, for I never laugh off duty. I am a very solemn person, and people consider me - perhaps rightly so - a pessimist.
During the first years of our married life, my wife would often say to me: "Do laugh!" but since then she has come to realize that I cannot grant her this wish. I am happy when I am free to relax my tense face muscles, my frayed spirit, in profound solemnity. Indeed, even other people's laughter gets on my nerves, since reminds me too much of my profession. So our marriage is a quiet, peaceful one because my wife has also forgotten how to laugh: now and again I catch her smiling, and I smile, too. We converse in low tones for I detest the noise of the nightclubs, the noise that sometimes fills the recording studios. People who do not know me think I am taciturn. Perhaps I am, because I have to open my mouth so often to laugh.
I go through life with an impassive expression, from time to time permitting myself a gentle smile, and I often wonder whether I have ever laughed. I think not. My brothers and sisters have always known me for a serious boy.
So I laugh in many different ways, but my own laughter I have never heard.
It need hardly be pointed out that a profession of this kind is tiring, especially as I have also -this is my specialty - mastered the art of infectious laughter. This has also made me indispensable to third - and fourth - rate comedians, who are scared - and with good reason - that their audiences will miss their punch lines so I spend most evenings in nightclubs as a kind of discreet claque. My job is to begin to laugh infectiously during the weaker parts of the program. It has to be carefully timed. My hearty, boisterous laughter must not come too soon, but neither must it come too late. It must come just at the right spot: at the pre-arranged moment, I burst out laughing, the whole audience roars with me, and the joke is saved.
But as for me, I drag myself exhausted to the checkroom. I put on my overcoat, happy that I can go off duty at last. At home, I usually find telegrams waiting for me: "Urgently require your laughter. Recording Tuesday," and a few hours later I am sitting in an overheated express train bemoaning my fate. I need scarcely say that when I am off I duty or on vacation I have little inclination to laugh. The cowhand is glad when he can forget the cow, the bricklayer when he can forget the mortar, and carpenters usually have doors at home that don't work or drawers which are hard to open. Confectioners like sour pickles, butchers like marzipan, and the baker prefers sausage to breads Bullfighters raise pigeons for a hobby, boxers turn pale when their children have nosebleeds: I find all this quite natural, for I never laugh off duty. I am a very solemn person, and people consider me - perhaps rightly so - a pessimist.
During the first years of our married life, my wife would often say to me: "Do laugh!" but since then she has come to realize that I cannot grant her this wish. I am happy when I am free to relax my tense face muscles, my frayed spirit, in profound solemnity. Indeed, even other people's laughter gets on my nerves, since reminds me too much of my profession. So our marriage is a quiet, peaceful one because my wife has also forgotten how to laugh: now and again I catch her smiling, and I smile, too. We converse in low tones for I detest the noise of the nightclubs, the noise that sometimes fills the recording studios. People who do not know me think I am taciturn. Perhaps I am, because I have to open my mouth so often to laugh.
I go through life with an impassive expression, from time to time permitting myself a gentle smile, and I often wonder whether I have ever laughed. I think not. My brothers and sisters have always known me for a serious boy.
So I laugh in many different ways, but my own laughter I have never heard.
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is this by the original author or your continuation?
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